The XVth century brought changes to Fine Arts and particularly to Painting. Gothic Art, its forms of representation (sculpture, glass and tesseras), was showing signs of depletion. That and the availability of new techniques such as oil painting or perspective were already giving notice that Painting will become the main form of representation up until the “recent” development of photography.
Under the category of “Iglesias Fernandinas” fall all the churches that Fernando III commanded to be built in Córdoba after the city was finally captured from the Muslims in 1236. The buildings are in-between Romanesque and Gothic architecture: a must for anyone that enjoys art and history. The churches are of a strong appearance, almost fortresses. Many are build in the same place of prior mosques using the same elements for the new construction.
Córdoba plays a powerful role in the world of Photography, having its highpoint during International Photography Biennial of Córdoba. This XVIth edition the Biennial will focus on war images. Between the 23rd of March and the 21st of May a wide range of activities will be taking place in Córdoba: workshops, documentaries of warlike conflicts, book presentations, conferences, round tables.
Read more: XVIth edition of the International Photography Biennial of Córdoba
When talking about ancient bells we ought to establish two different categories. The first category would apply to oldest bells in general, without taking into consideration their current use or disuse. The second category would account for oldest bells still ringing at the top of a bell tower nowadays. It is to this second category that the famous bell “Wamba”, from the Cathedral of Oviedo, belongs to. In fact, the bell preceded the bell tower: it was molten in 1219.
Because of the correspondence he had with his wife Clotilde when he travels, we know that Joaquín Sorolla visited Córdoba for the first time at the end of march in 1902. “Impressions are so fast and so many that my head feels like a madhouse. We treated ourselves to such an artistic binge in Córdoba” he writes in one of the letters.
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